In tiny, mysterious, curled-up dimensions, is the world of strings. These strings, the tiniest of forms, vibrate in multi-dimensional geometric spaces that are beyond the human senses.
the reflection is a double, that is to say at the same time an other and a same. This ambivalence provokes in baroque thought an inversion of significations which makes identity fantastic (I am an other) and otherness reassuring (There is another world, but it is similar to this one).[2]
This light was reflected in all the mirrors; but more especially from one great concave mirror in the middle of the front wall, which caught the rays of the light and threw them into the little mirrors, where they sparkled like so many diamonds.
Full of surprise Pancho approached that mirror and saw his own image reflected, although magnified into superhuman dimensions. While his attention was directed intensely toward that mirror, and while he was wondering about this strange phenomenon, his consciousness became suddenly centred in that image, and then it seemed to him as if he himself were that image, looking out of the mirror, and he beheld his figure reflected from all the little mirrors along the walls.
Elementary parallelism: a formal decomposition, linear elements following eachother like parallels and distorting the object. The object is completely stretched out, as if elastic. The lines follow eachother in parallels, while changing subtly to form movement, or the form of the object in question.